Monday May 20, 2013 at 15:25

284 notes

obitoftheday:

Obit of the Day: Ray Manzarek, Founding Member of The Doors

Ray Manzarek, one of the original members of The Doors, has died at the age of 74. He is considered one of the greatest keyboard players in rock and roll history. 

A native of Chicago, Manzarek met Jim Morrison while attending film school at UCLA in 1965. Manzarek and Morrison would recruit drummer John Densmore and guitarist Robby Krieger from another local band. But it was Morrison’s voice and Manzarek’s skill on the keys that would create the band’s signature sound.

They signed their first contract with Elektra Records in 1966 and released their self-titled album in 1967 which featured their first number one hit, “Light My Fire.” 

The group would release seven top ten albums with Morrison as lead vocalist until his untimely death in 1971 at the age of 27. The remaining members of the group tried to stay together and recorded two more albums Other Voices (1971) and Full Circle (1972) with Manzarek on vocals. Sales were poor with neither album breaking the top 25 in the United States.

Manzarek would take a few years off before getting back into music forming Nite City in 1977 with Blondie bassist Nigel Harrison. They would produce two albums.

Since 2001 Manzarek and Krieger have toured as Manzarek-Krieger, Ray and Bobby, The Doors of the 21st Century, and The Riders of the Storm playing Doors hits. They have not recorded any albums. (John Densmore turned his attention to dance and has not performed with his former bandmates.)

Ray Manzarek, who also served as producer on the seminal punk album Los Angeles by X, died on May 20, 2013. 

Sources: AllMusic.com, www.rayandrobby.com, and Wikipedia

(“People Are Strange” - an OOTD favorite because of The Lost Boys - and Strange Days are copyright of Elektra Entertainment, 2006.)

This post was reblogged from Advocating Progress.

Friday May 17, 2013 at 14:07

Tuesday May 14, 2013 at 12:46

42 notes

This post was reblogged from Downtown Lobby.

Saturday May 11, 2013 at 11:24

731 notes

thekhooll:

The First Walkman

Sony Walkman TPS-L2.  The original Walkman introduced a change inmusic listening habits by allowing people to carry music with them and listen to music through lightweight headphones.

This post was reblogged from The Planet Of Sound!.

Friday May 10, 2013 at 0:00

2,041 notes

mslaurynhill:

It was reported yesterday that Ms. Lauryn Hill has been charged with three counts of misdemeanor failure to file taxes.  These charges were incurred for the years of 2005-2007, during a time in which Ms. Hill had removed herself and her family from society, in order to keep them safe, healthy, and free from danger.  In response to these charges, Ms. Hill has issued the following statement:

 

“For the past several years, I have remained what others would consider underground.  I did this in order to build a community of people, like-minded in their desire for freedom and the right to pursue their goals and lives without being manipulated and controlled by a media protected military industrial complex with a completely different agenda.  Having put the lives and needs of other people before my own for multiple years, and having made hundreds of millions of dollars for certain institutions, under complex and sometimes severe circumstances, I began to require growth and more equitable treatment, but was met with resistance.  I entered into my craft full of optimism (which I still possess), but immediately saw the suppressive force with which the system attempts to maintain it’s control over a given paradigm.  I’ve seen people promote addiction, use sabotage, black listing, media bullying and any other coercion technique they could, to prevent artists from knowing their true value, or exercising their full power.  These devices of control, no matter how well intentioned (or not), can have a devastating outcome on the lives of people, especially creative types who must grow and exist within a certain environment and according to a certain pace, in order to live and create optimally.

I kept my life relatively simple, even after huge successes, but it became increasingly obvious that certain indulgences and privileges were expected to come at the expense of my free soul, free mind, and therefore my health and integrity.  So I left a more mainstream and public life, in order to wean both myself, and my family, away from a lifestyle that required distortion and compromise as a means for maintaining it.  During this critical healing time, there were very few people accessible to me who had not already been seduced or affected by this machine, and therefore who could be trusted to not try and influence or coerce me back into a dynamic of compromise. Individual growth was expected to take place unnaturally, or stagnated outright, subject to marketing and politics.  Addressing critical issues like pop culture cannibalism or its manipulation of the young at the expense of everything, was frowned upon and discouraged by limiting funding, or denying it outright.  When one has a prolific creative output like I did/do, and is then forced to stop, the effects can be dangerous both emotionally and psychologically, both for the artist and those in need of that resource.  It was critically important that I find a suitable pathway within which to exist, without being distorted or economically strong-armed.

During this period of crisis, much was said about me, both slanted and inaccurate, by those who had become dependent on my creative force, yet unwilling to fully acknowledge the importance of my contribution, nor compensate me equitably for it.  This was done in an effort to smear my public image, in order to directly affect my ability to earn independently of this system.  It took a long time to locate and nurture a community of people strong enough to resist the incredibly unhealthy tide, and more importantly see through it.  If I had not been able to make contact with, and establish this community, my life, safety and freedom, would have been directly affected as well as the lives, safety and freedom of my family.  Failure to create a non toxic, non exploitative environment was not an option.

As my potential to work, and therefore earn freely, was being threatened, I did whatever needed to be done in order to insulate my family from the climate of hostility, false entitlement, manipulation, racial prejudice, sexism and ageism that I was surrounded by.  This was absolutely critical while trying to find and establish a new and very necessary community of healthy people, and also heal and detoxify myself and my family while raising my young children.

There were no exotic trips, no fleet of cars, just an all out war for safety, integrity, wholeness and health, without mistreatment denial, and/or exploitation.  In order to liberate myself from those who found it ok to oppose my wholeness, free speech and integral growth by inflicting different forms of punitive action against it, I used my resources to sustain our safety and survival until I was able to restore my ability to earn outside of it!

When artists experience danger and crisis under the effects of this kind of insidious manipulation, everyone easily accepts that there was something either dysfunctional or defective with the artist, rather than look at, and fully examine, the system and its means and policies of exploiting/’doing business’.  Not only is this unrealistic, it is very dark in its motivation, conveniently targeting the object of their hero worship by removing any evidence that they ‘needed’ or celebrated this very same resource just years, months or moments before.  Since those who believe they need a hero/celebrity outnumber the actual heroes/celebrities, people feel safe and comfortably justified in numbers, committing egregious crimes in the name of the greater social ego.  Ironically diminishing their own true hero-celebrity nature in the process.

It was this schism and the hypocrisy, violence and social cannibalism it enabled, that I wanted and needed to be freed from, not from art or music, but the suppression/repression and reduction of that art and music to a bottom line alone, without regard for anything else.  Over-commercialization and its resulting restrictions and limitations can be very damaging and distorting to the inherent nature of the individual.  I Love making art, I Love making music, these are as natural and necessary for me almost as breathing or talking.  To be denied the right to pursue it according to my ability, as well as be properly acknowledged and compensated for it, in an attempt to control, is manipulation directed at my most basic rights!  These forms of expression, along with others, effectively comprise my free speech!  Defending, preserving, and protecting these rights are critically important, especially in a paradigm where veiled racism, sexism, ageism, nepotism, and deliberate economic control are still blatant realities!!!

Learning from the past, insulating friends and family from the influence of external manipulation and corruption, is far more important to me than being misunderstood for a season!  I did not deliberately abandon my fans, nor did I deliberately abandon any responsibilities, but I did however put my safety, health and freedom and the freedom, safety and health of my family first over all other material concerns!  I also embraced my right to resist a system intentionally opposing my right to whole and integral survival.

I conveyed all of this when questioned as to why I did not file taxes during this time period.  Obviously, the danger I faced was not accepted as reasonable grounds for deferring my tax payments, as authorities, who despite being told all of this, still chose to pursue action against me, as opposed to finding an alternative solution.

My intention has always been to get this situation rectified.  When I was working consistently without being affected by the interferences mentioned above, I filed and paid my taxes.  This only stopped when it was necessary to withdraw from society, in order to guarantee the safety and well-being of myself and my family.

As this, and other areas of issue are resolved and set straight, I am able to get back to doing what I should be doing, the way it should be done.  This is part of that process.  To those supporters who were told that I abandoned them, that is untrue.  I abandoned greed, corruption, and compromise, never you, and never the artistic gifts and abilities that sustained me.”

wow…

This post was reblogged from Ms. Lauryn Hill.

Thursday May 09, 2013 at 13:48

188 notes
“Respond esthetically to all sounds, from the hum of the refrigerator motor or the paddling of oars on a lake, to the tones of a cello or muted trumpet.”

How to Listen to Music – a wonderful vintage guide to the 7 essential skills of listening. (via explore-blog)

(Source: )

This post was reblogged from The License Lab.

Saturday May 04, 2013 at 23:09

205 notes

Happy Birthday, Ian Steven McCulloch   May 5th,1959 

“I only ever wanted, from the age of 13, to be the greatest singer of the best band in the world.”

This post was reblogged from This ain't no party, This ain't no disco..

Saturday May 04, 2013 at 23:08

606 notes

mudwerks:

Echo & The Bunnymen | Lips Like Sugar

This post was reblogged from This ain't no party, This ain't no disco..

Saturday May 04, 2013 at 0:15

101,392 notes

(Source: astrodidact)

This post was reblogged from generic.

Friday May 03, 2013 at 11:41

67 notes

awordoraline:

New Order - Bizarre Love Triangle

But there’s no sense in telling me
The wisdom of the fool won’t set you free

This post was reblogged from A word or a line.

Friday April 26, 2013 at 15:55

139 notes
rollingstone:

Apple’s iTunes Music Store, which opened 10 years ago this Sunday, exists for one major reason: Napster.
By late 2002, the Recording Industry Association of America had sued the company successfully for copyright infringement, and the courts forced Napster to shut down.
The world’s biggest record labels, fearing the power these services gave to consumers, did everything they could to virtually “lock” CDs and online music files, so they wouldn’t spread like free MP3s.
Steve Jobs, Apple’s founder and chief executive, saw Napster, MP3s and the Internet a different way. By late 2002, he believed music fans clearly wanted to download songs they liked in an affordable and easy way, but during this period, the record industry had no affordable, easy and legal option allowing this to happen.
Steve Jobs saw opportunity.

rollingstone:

Apple’s iTunes Music Store, which opened 10 years ago this Sunday, exists for one major reason: Napster.

By late 2002, the Recording Industry Association of America had sued the company successfully for copyright infringement, and the courts forced Napster to shut down.

The world’s biggest record labels, fearing the power these services gave to consumers, did everything they could to virtually “lock” CDs and online music files, so they wouldn’t spread like free MP3s.

Steve Jobs, Apple’s founder and chief executive, saw Napster, MP3s and the Internet a different way. By late 2002, he believed music fans clearly wanted to download songs they liked in an affordable and easy way, but during this period, the record industry had no affordable, easy and legal option allowing this to happen.

Steve Jobs saw opportunity.

This post was reblogged from Rolling Stone.

Friday April 26, 2013 at 15:05

5 notes
hottmt:

Last night! Last night I was excited, more excited than I have been in a while. Don’t get me wrong, playing with Bat For Lashes was amazing, but there is something wonderful about playing with friends for a big crowd in your hometown.
The event was put on by Redbull Sound Select, and it was our first interaction with the company. We had a great time, we were treated very well by them, and it looks like they have some great things in store for the future. 
NOW. Incan Abraham started it right. Even though I have seen them before, I feel like last night was the first time I really experienced the band. Sound, energy, cohesiveness, it was sublime. I can say the same thing for Hands, who played after us. Though, I caught their show a few weeks ago at the Echoplex and it was equally as stunning then. Overall, such a great lineup to be a part of. 
While I wasn’t able to walk on any heads like I thought I would, our set was outrageously fun to perform. My favorite part of the performance by far was singing with Cecelia from Gothic Tropic (if you can’t tell by the photo). Cecelia is a gorgeous individual. But of course, you already knew that. Besides David Braun, she is my favorite person to sing NHA with. 
The Echoplex was packed by the time Wavves began their set. Unable to squeeze into a spot in the dense crowd, I watched them a bit from backstage. They are exactly what you think they are. Great. But, I actually spent most of their set chatting with BG, my favorite venue worker ever. At that point in the night I really needed a bit of a sit down and some air, so I hung out with him at the door and may have told him my life story. I’m sorry BG. 
Thank you to everyone who came and made it a great night. This list includes but is not limited to Cecelia, Andy, Bradley, BG, Sean (who did crazy lights for us!), the other Sean, Hands, Incan Abraham, Wavves, Nung, Jor, Darren, Paul, BG!, Royce, and all the people I got to meet after the show. 
I love everything, 
Ashi
(photo cred to Reid You Know Who You Are)

hottmt:

Last night! Last night I was excited, more excited than I have been in a while. Don’t get me wrong, playing with Bat For Lashes was amazing, but there is something wonderful about playing with friends for a big crowd in your hometown.

The event was put on by Redbull Sound Select, and it was our first interaction with the company. We had a great time, we were treated very well by them, and it looks like they have some great things in store for the future.

NOW. Incan Abraham started it right. Even though I have seen them before, I feel like last night was the first time I really experienced the band. Sound, energy, cohesiveness, it was sublime. I can say the same thing for Hands, who played after us. Though, I caught their show a few weeks ago at the Echoplex and it was equally as stunning then. Overall, such a great lineup to be a part of.

While I wasn’t able to walk on any heads like I thought I would, our set was outrageously fun to perform. My favorite part of the performance by far was singing with Cecelia from Gothic Tropic (if you can’t tell by the photo). Cecelia is a gorgeous individual. But of course, you already knew that. Besides David Braun, she is my favorite person to sing NHA with.

The Echoplex was packed by the time Wavves began their set. Unable to squeeze into a spot in the dense crowd, I watched them a bit from backstage. They are exactly what you think they are. Great. But, I actually spent most of their set chatting with BG, my favorite venue worker ever. At that point in the night I really needed a bit of a sit down and some air, so I hung out with him at the door and may have told him my life story. I’m sorry BG.

Thank you to everyone who came and made it a great night. This list includes but is not limited to Cecelia, Andy, Bradley, BG, Sean (who did crazy lights for us!), the other Sean, Hands, Incan Abraham, Wavves, Nung, Jor, Darren, Paul, BG!, Royce, and all the people I got to meet after the show.

I love everything,

Ashi

(photo cred to Reid You Know Who You Are)

This post was reblogged from Hour Of The Time Majesty 12.

Monday April 22, 2013 at 12:03

3 notes

Page 1 of 98