Only performing the hits, playing medleys and never varying the setlist are just a few super annoying rock star behaviors. See the rest here.
Wednesday June 05, 2013 at 16:45
51 notesThis post was reblogged from Rolling Stone.
Tuesday June 04, 2013 at 10:22
107 notes22 ICONIC MUSIC LOGOS EXPLAINED
There’s a fascinating piece over on Red Bull Music Academy’s site about the genesis of some very famous music logos. Click here to read it. CS
awesome article - design is clearly a huge aspect of music consumption & marketing.
This post was reblogged from Guardian Music.
Monday June 03, 2013 at 16:26
2 notesThis post was reblogged from MANIMAL RECORDS.
Tuesday May 28, 2013 at 9:42
267 notes
Smashing Pumpkins’ Gish was released 22 years ago today.
I think the Pumpkins are one of the great rock bands of my generation, and one of THE defining bands of the 90’s rock sound. When I think of 90’s rock, the 3 bands that immediately come to mind are Nirvana (obviously), My Bloody Valentine (obviously) and Smashing Pumpkins. Gish is a masterpiece, as is Siamese Dream and Pisces Iscariot.
This post was reblogged from Rolling Stone.
Friday May 24, 2013 at 23:12
6 notes
The digital release has finally come to pass, and while we wait for the purple vinyl to come into existence let’s tell stories.
You may or may not know, but I Made This was completed January 1st 2012. Spooky, Bad Bahd and myself tracked and recorded with help from Rando, Gazoota, and Bill Cooper. With their help, It became the artifact that we took to Wayne Coyne, as you may also know.
Impose kindly featured us in their “week in pop” blog section. To read the article just click the picture above, which is of Spooky and Jade, the baby squirrel that I reference in the blurb. This is her almost full grown, but when she was really tiny I used to hide her under my desk at work so I could feed her every two hours. She is in the wild now, kicking ass I’m sure.
This post was reblogged from Hour Of The Time Majesty 12.
Friday May 24, 2013 at 22:36
6 notesHOTT MT interview + LP stream via WEEK IN POP on IMPOSE
CLICK ON THE PIC TO READ + LISTEN
This post was reblogged from MANIMAL RECORDS.
Monday May 20, 2013 at 15:25
322 notesObit of the Day: Ray Manzarek, Founding Member of The Doors
Ray Manzarek, one of the original members of The Doors, has died at the age of 74. He is considered one of the greatest keyboard players in rock and roll history.
A native of Chicago, Manzarek met Jim Morrison while attending film school at UCLA in 1965. Manzarek and Morrison would recruit drummer John Densmore and guitarist Robby Krieger from another local band. But it was Morrison’s voice and Manzarek’s skill on the keys that would create the band’s signature sound.
They signed their first contract with Elektra Records in 1966 and released their self-titled album in 1967 which featured their first number one hit, “Light My Fire.”
The group would release seven top ten albums with Morrison as lead vocalist until his untimely death in 1971 at the age of 27. The remaining members of the group tried to stay together and recorded two more albums Other Voices (1971) and Full Circle (1972) with Manzarek on vocals. Sales were poor with neither album breaking the top 25 in the United States.
Manzarek would take a few years off before getting back into music forming Nite City in 1977 with Blondie bassist Nigel Harrison. They would produce two albums.
Since 2001 Manzarek and Krieger have toured as Manzarek-Krieger, Ray and Bobby, The Doors of the 21st Century, and The Riders of the Storm playing Doors hits. They have not recorded any albums. (John Densmore turned his attention to dance and has not performed with his former bandmates.)
Ray Manzarek, who also served as producer on the seminal punk album Los Angeles by X, died on May 20, 2013.
Sources: AllMusic.com, www.rayandrobby.com, and Wikipedia
(“People Are Strange” - an OOTD favorite because of The Lost Boys - and Strange Days are copyright of Elektra Entertainment, 2006.)
This post was reblogged from Advocating Progress.
Friday May 17, 2013 at 14:07
Random Access Criticism - Internet Pundits are Ruining Music
Some good thoughts on the insta-reviews of RAM, and other releases:
This time, however, it’s not because Daft Punk supposedly failed to live up to Homework and Discovery (depending on one’s preference between the two). Instead, I’m going to blame the internet. It’s turned into a disintegrating force in music. Piracy really isn’t at fault; jackasses with opinions and platforms and itchy Twitter fingers are. And when would-be critics race to opine about a new song, video or album, whether it’s through established music outlets, blogs, Facebook, or YouTube, they do a disservice to the audience.
Everything is about velocity. The internet has virtually zero patience for thoughtful, reasoned critique. It can’t wait. Much of this, obviously, has to do with the money imperative behind site traffic. The hits are the commodity that pays for the entire operation. Except in rare circumstances, the later one publishes a review of any given album, the less chance there is of social interaction. In other words, your shit won’t sell if the post doesn’t go live that day, and more usually, that hour. The new operating principle is this: to sell its shit, the Internet pumps out shit. So it goes.
Read more: http://motherboard.vice.com/blog/random-access-criticism#ixzz2TaP0r25l
Follow us: @motherboard on Twitter | motherboardtv on Facebook
Tuesday May 14, 2013 at 12:46
41 notesDowntown Lobby: Los Angeles Summer Festival Schedule
With summer inching its way closer and closer each day, so are the all of the festivals taking place around town. We know how hard it can be to try to remember all of the events coming up during the next few months, so we created a list of summer festivals with ticket and lineup info which will be…
This post was reblogged from Downtown Lobby.
Saturday May 11, 2013 at 11:24
761 notesThe First Walkman
Sony Walkman TPS-L2. The original Walkman introduced a change inmusic listening habits by allowing people to carry music with them and listen to music through lightweight headphones.
This post was reblogged from The Planet Of Sound!.
Friday May 10, 2013 at 0:00
2,059 notesIt was reported yesterday that Ms. Lauryn Hill has been charged with three counts of misdemeanor failure to file taxes. These charges were incurred for the years of 2005-2007, during a time in which Ms. Hill had removed herself and her family from society, in order to keep them safe, healthy, and free from danger. In response to these charges, Ms. Hill has issued the following statement:
“For the past several years, I have remained what others would consider underground. I did this in order to build a community of people, like-minded in their desire for freedom and the right to pursue their goals and lives without being manipulated and controlled by a media protected military industrial complex with a completely different agenda. Having put the lives and needs of other people before my own for multiple years, and having made hundreds of millions of dollars for certain institutions, under complex and sometimes severe circumstances, I began to require growth and more equitable treatment, but was met with resistance. I entered into my craft full of optimism (which I still possess), but immediately saw the suppressive force with which the system attempts to maintain it’s control over a given paradigm. I’ve seen people promote addiction, use sabotage, black listing, media bullying and any other coercion technique they could, to prevent artists from knowing their true value, or exercising their full power. These devices of control, no matter how well intentioned (or not), can have a devastating outcome on the lives of people, especially creative types who must grow and exist within a certain environment and according to a certain pace, in order to live and create optimally.
I kept my life relatively simple, even after huge successes, but it became increasingly obvious that certain indulgences and privileges were expected to come at the expense of my free soul, free mind, and therefore my health and integrity. So I left a more mainstream and public life, in order to wean both myself, and my family, away from a lifestyle that required distortion and compromise as a means for maintaining it. During this critical healing time, there were very few people accessible to me who had not already been seduced or affected by this machine, and therefore who could be trusted to not try and influence or coerce me back into a dynamic of compromise. Individual growth was expected to take place unnaturally, or stagnated outright, subject to marketing and politics. Addressing critical issues like pop culture cannibalism or its manipulation of the young at the expense of everything, was frowned upon and discouraged by limiting funding, or denying it outright. When one has a prolific creative output like I did/do, and is then forced to stop, the effects can be dangerous both emotionally and psychologically, both for the artist and those in need of that resource. It was critically important that I find a suitable pathway within which to exist, without being distorted or economically strong-armed.
During this period of crisis, much was said about me, both slanted and inaccurate, by those who had become dependent on my creative force, yet unwilling to fully acknowledge the importance of my contribution, nor compensate me equitably for it. This was done in an effort to smear my public image, in order to directly affect my ability to earn independently of this system. It took a long time to locate and nurture a community of people strong enough to resist the incredibly unhealthy tide, and more importantly see through it. If I had not been able to make contact with, and establish this community, my life, safety and freedom, would have been directly affected as well as the lives, safety and freedom of my family. Failure to create a non toxic, non exploitative environment was not an option.
As my potential to work, and therefore earn freely, was being threatened, I did whatever needed to be done in order to insulate my family from the climate of hostility, false entitlement, manipulation, racial prejudice, sexism and ageism that I was surrounded by. This was absolutely critical while trying to find and establish a new and very necessary community of healthy people, and also heal and detoxify myself and my family while raising my young children.
There were no exotic trips, no fleet of cars, just an all out war for safety, integrity, wholeness and health, without mistreatment denial, and/or exploitation. In order to liberate myself from those who found it ok to oppose my wholeness, free speech and integral growth by inflicting different forms of punitive action against it, I used my resources to sustain our safety and survival until I was able to restore my ability to earn outside of it!
When artists experience danger and crisis under the effects of this kind of insidious manipulation, everyone easily accepts that there was something either dysfunctional or defective with the artist, rather than look at, and fully examine, the system and its means and policies of exploiting/’doing business’. Not only is this unrealistic, it is very dark in its motivation, conveniently targeting the object of their hero worship by removing any evidence that they ‘needed’ or celebrated this very same resource just years, months or moments before. Since those who believe they need a hero/celebrity outnumber the actual heroes/celebrities, people feel safe and comfortably justified in numbers, committing egregious crimes in the name of the greater social ego. Ironically diminishing their own true hero-celebrity nature in the process.
It was this schism and the hypocrisy, violence and social cannibalism it enabled, that I wanted and needed to be freed from, not from art or music, but the suppression/repression and reduction of that art and music to a bottom line alone, without regard for anything else. Over-commercialization and its resulting restrictions and limitations can be very damaging and distorting to the inherent nature of the individual. I Love making art, I Love making music, these are as natural and necessary for me almost as breathing or talking. To be denied the right to pursue it according to my ability, as well as be properly acknowledged and compensated for it, in an attempt to control, is manipulation directed at my most basic rights! These forms of expression, along with others, effectively comprise my free speech! Defending, preserving, and protecting these rights are critically important, especially in a paradigm where veiled racism, sexism, ageism, nepotism, and deliberate economic control are still blatant realities!!!
Learning from the past, insulating friends and family from the influence of external manipulation and corruption, is far more important to me than being misunderstood for a season! I did not deliberately abandon my fans, nor did I deliberately abandon any responsibilities, but I did however put my safety, health and freedom and the freedom, safety and health of my family first over all other material concerns! I also embraced my right to resist a system intentionally opposing my right to whole and integral survival.
I conveyed all of this when questioned as to why I did not file taxes during this time period. Obviously, the danger I faced was not accepted as reasonable grounds for deferring my tax payments, as authorities, who despite being told all of this, still chose to pursue action against me, as opposed to finding an alternative solution.
My intention has always been to get this situation rectified. When I was working consistently without being affected by the interferences mentioned above, I filed and paid my taxes. This only stopped when it was necessary to withdraw from society, in order to guarantee the safety and well-being of myself and my family.
As this, and other areas of issue are resolved and set straight, I am able to get back to doing what I should be doing, the way it should be done. This is part of that process. To those supporters who were told that I abandoned them, that is untrue. I abandoned greed, corruption, and compromise, never you, and never the artistic gifts and abilities that sustained me.”
wow…
This post was reblogged from Ms. Lauryn Hill.
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